The controlled and poetic use of artificial light sources in photography can often be likened to “painting with light”; to a true master, light becomes fluid to be mixed, textured, filtered, masked and applied. This approach reaches an exquisite zenith in the work of Warren and Nick, whose relentless experimentation consistently uncovers new and arrestingly beautiful ways for light to interact with (subject) matter. In a spectacular form of photographic abstract expressionism....






